In addition to teaching Monet about oil paints Boudin also shared with him his style of "en plein air". Middle years: By the time Monet painted On the bank of the Seine, Bennecourt in 1868, which also featured his future wife Camille, his style was clearly changing. Both bear similarities in the manner in which the light is not obvious to the viewer, but is fully represented in how it affects the objects in both paintings. Monet's use of shadows and dark tonal shades of black further accentuate this. The beautifully lit day makes the white dress of his model and the freshly cut green grass see even more radiant.
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Monet's interest in the study of color is on display again in the Garden. The green of her dress is vibrantly portrayed and the minute amount of her skin on display radiates color against the low-lit room. The dark blacks and browns of her fur coat seem as endless and as the darkened background behind her, whilst the low lighting seems to illuminate the lighter colors that she is clad in. In Green Dress, Monet studies how light reacts upon touching various colors on his model. The low lit dark tones of Green Dress and the natural summer sunlight of the Garden are a perfect display of Monet's early palette range. Use of light: Despite not being a traditionally Impressionist painting, Monet's love of natural light can be seen in both of his earliest recognized works. Monet's early style can be readily seen in his first recognized painting, Camile (also known as Woman in the Green Dress) and The Woman in the Garden. It is this notable technique that started Monet on his illustrious career. As a teenager, Monet perfected his burgeoning talent through charcoal caricatures and it wasn't until he met mentor Eugéne Boudin that he began to paint with oil.
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![claude oscar monet impression sunrise hd claude oscar monet impression sunrise hd](https://i.pinimg.com/originals/8a/8f/06/8a8f06cb81f70ab84bff94f653cbdfe2.jpg)
Houses of Parliament: Sun Breaking through the FogĮarly years: The early years of Monet's career were marked by several influential figures and mentors teaching him techniques that would later play a key part in the development of his own style.Houses of Parliament: Effect of Sunlight in the Fog.